Beauty, were told, is in the eye of the beholder.

This is the category that the title character of Paolo SorrentinosParthenopefalls into.

She is introduced emerging from the sea as if she were the second coming of Venus.

Set of a new movie by Paolo Sorrentino.
In the picture Celeste Dalla Porta, Dario Aita and Daniele Rienzo.
Photo by Gianni Fiorito
This photograph is for editorial use only, the copyright is of the film company and the photographer assigned by the film production company and can only be reproduced by publications in conjunction with the promotion of the film.
The mention of the author-photographer is mandatory: Gianni Fiorito.
Set del nuovo film di Paolo Sorrentino.
Nella foto Celeste Dalla Porta, Dario Aita e Daniele Rienzo..
Foto di Gianni Fiorito
Questa fotografia è solo per uso editoriale, il  diritto d’autore è della società cinematografica e del fotografo assegnato dalla società di produzione del film  e può essere riprodotto solo da pubblicazioni in concomitanza con la promozione del film. 
E’ obbligatoria la menzione  dell’autore- fotografo: Gianni Fiorito.

Celeste Dalla Porta, Dario Aita and Daniele Rienzo in ‘Parthenope.‘Gianni Fiorito/A24

Her childhood chum Sandrino (Daniel Aita) has pined for her since he was a boy.

Legions of heads swivel in unison when she passes by.

And who also happens to be wait for it John Cheever himself.

as it gives you a break from the cliche of a stunning ingenue wreaking hormonal havoc everywhere she goes.

Only her thesis professor (The Young Popes Silvio Orlando) seems to encourage Parthenope regarding these academic pursuits.

He, alone, gets her.

The protagonists name and her obsession with anthropology likely arent coincidental.

Its a work of art dying of its own thirst.

All of her characters were pursued, lusted after and more or less left wanting.

Its really just an update of those Bardot arthouse skin flicks, Italian style.

But it can take solace in easily being an early contender for the horniest movie of the year.